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#1
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I have mentioned this before, a good prospect for finding matt paint is modern external house paint , it is usually water based and it's freely available in hardware stores .
Haymes make a matt external house paint that may be of use for that authentic patina look on a military vehicle . It's called solarshield or similar and they guarantee it for 20 years on a house . It can be applied directly onto galvanized iron , it' s self priming . They have it available in four grades of sheen from dead flat to shiny . Mike
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1940 cab 11 C8 1940 Morris-Commercial PU 1941 Morris-Commercial CS8 1940 Chev. 15cwt GS Van ( Aust.) 1942-45 Jeep salad |
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#2
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Nowadays Mike the professionals use portable handheld spectrometers. As Gina mentioned a while back: "Florite paints have provided all the spectrographic analysis and colour matching , even visiting the Tank with their electronic equipment to ensure we had it right."
The advantage of spectrometry, obviously enough, is that it doesn't rely on human eyesight and lighting conditions. As opposed to our Senior Curator wandering the dimly lit bowels of AWM storage clutching his 1905 Munsell Book of Colours. Of course, in this particular case the artifact can be removed into daylight, where an acceptable colour match for our purposes may indeed be possible. Gina, you mentioned back in September: "spectrographs of the AWM and AA chip sets remains a high priority for me." Is it possible to get Florite in to spectro the AWM chips? If it's a question of costs I'm happy to contribute.
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One of the original Australian CMP hunters. |
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#3
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Quote:
I was supplied the following tin of Viponds matting agent by my famous "We thought it was a once off tint so we did not bother to write down the tint formula". paint supplier for KG-J. At least they seem to have gotten one thing right. Viponds is an Australian product made in Melbourne and should be readily available. I had good success with it even if I did not have success with the paint formula being reproducible. The Wattyl Agricultural enamel only comes in gloss so they suggested the Viponds agent would be the way to make it Semi-gloss or eggshell. As shown below the left chip is gloss Wattyl enamel as tinted and the right one is 1:8 ratio of tint to paint to get a "satin finish" as per their instructions. It can be used as high as 1:4 ratio to get a "low sheen finish". Cheers
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F15-A 1942 Battery Staff Jacques Reed |
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#4
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sorting through the paint samples I note here some anomalies.
The Canberra set of seventeen plates are somewhat different to both the Australian standard and the Berger colour chart. The Australian standard has fifteen colours and include O warm sand ( which appears to be close to the British desert colour and R red . The Berger sheet has only 11 colours J.K,L,M,N,P,Q,R,S,T, U,...missing O Warm sand None of the colour charts have Tarmac save for the sample in the archive in Melbourne it is no where else and W light Earth also only in the archive in Melbourne. R red is in both the the Australian standard and the Berger chart. The RAAF colours as depicted in the spartan chart are both very different to the army colours and have a quite different range. RAAF foliage Green for instance bears little resemblance to the Army Foliage green. I have yet to examine Dakins discourse with they RAAF however it seems clear at the moment they were on a very different trajectory. Dakin does say he had a very good relationship with the RAAF and they were keen to take his advice. If I can get my hands on a Spartan chart I will add it to the book and hunt down the colours history. Without a chart there is little point in pursuing it. I will take a gander at the Canberra chips in a few weeks but the samples in Melbourne I feel are the best given their lack of exposure to light over time. I will also do a set of trial chips and send them of to Mike.... well both Mikes ....Cecil and Starmers. the latter mainly as a help to his work and an opinion on our KG3 and warm sand O Here are the samples of the first eleven |
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#5
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Hi Jacques
your post is consistent with the advice I have to hand.Matting agents will not Matt down to 5% and your samples show that. Eggshell is around 3% and flat is less than 1 |
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#6
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I painted my C8 with Wattyl flat Olive Drab enamel . Wattyl had the Defence Dept. contract for some years . In the 90's You could buy it in 4 litre cans from Wattyl outlets, they never asked what I was using it for . Out of the can, it's the colour the Army Land Rovers were finished in at that time. It's about as flat as you can get paint , it has a heavy flattening agent suspended in the paint that tends to sink to the bottom of the can over time . The cans were plain , without any paper labels but instead, a stencilled description on the can.
I wasn't happy with the colour out of the can , I got hold of some tinting agents and I tried to get it to a more appropriate shade . I was never happy with the result but went ahead anyway. The Wattyl product has proven to be long lasting , it does mark easily but you have to expect that with flat paint . I am pretty sure it isn't available these days. BTW it is easy to mix up various shades of Olive green from a yellow base , you use Black and Red as tinters .
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1940 cab 11 C8 1940 Morris-Commercial PU 1941 Morris-Commercial CS8 1940 Chev. 15cwt GS Van ( Aust.) 1942-45 Jeep salad |
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#7
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Hi Mike,
Ah yes! Remember well a few trips to the Wattyl trade depot at Moorrabbin 20 years ago to get the current ADF paint. The Internet was new then so not a lot of info out there. Even if it was, monochrome screens and dot matrix printers would not be of much use. If it was Army Green/Olive Drab/Khaki that was good enough to put on anything other than a Jeep in light of any other information. Most military vehicle restorers only restored Jeeps then of which their correct colour paint was easier to obtain. I think even the VMVC was just called the Victorian Jeep Club originally. No one restored CMP trucks and on more than one occasion back then I was told I must be crazy to be doing it. I too, was never really happy with the colour but it sufficed until some better information came to hand. Anyway 20 years on I bit the bullet and have started the repaint job beginning with the spare set of wheels. They have already had the POR15 treatment inside after a few hours on the flap disks smoothing out as much pitting as possible. Note the difference in the colours between the current ADF Olive Drab and the recently acquired KG3 on both the wheels and the test patches.
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F15-A 1942 Battery Staff Jacques Reed |
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#8
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Quote:
I bought a 20 litre can of it in Jan 2010 from the Wattyl Trade Depot at Chelsea Heights Vic. Note it was semi-gloss however. They told me it was no longer available in 4 litre cans. I won't need it now but if anyone is repainting an Australian Leopard Tank and needs 20 litres that's the place to go. Handy hint too: Decant it into 4 litre cans after purchase. When I opened it a couple of months after the previous use there was a one inch thick skin on it despite a good seal and having a clamping band on the lid. Never saw paint develop such a thick skin so quickly. Cheers,
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F15-A 1942 Battery Staff Jacques Reed |
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#9
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Hi Jacques
Yes I used to get the lusterless olive drab enamel from the Moorabbin depot. I recall , back in the 1990's driving all the way there, only to find it closed, the staff were on strike I've never seen the semi gloss version that you have .Where did you get your KG3 mixed ?
__________________
1940 cab 11 C8 1940 Morris-Commercial PU 1941 Morris-Commercial CS8 1940 Chev. 15cwt GS Van ( Aust.) 1942-45 Jeep salad |
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#10
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Quote:
The disparities you mention arise from changes to the schedule and failure to update sample sets accordingly. I've tabulated changes for ease of reference: (E)K.509. Schedule of Colours for Camouflage Paints (changes tabulated).JPG Quote:
REL 16500 AWM paint sample set metal.JPG I'm pretty sure it should be 16 colours as per table above. What colours are in the booklet? Quote:
Berger colour chart December 1941 (photoshopped to show folded) - Copy (2).jpg Of interest are colours marked X on above chart. These are the seven "primary" colours recommended as field stocks, from which the other 11 colours can all be mixed: abbreviated colour range field stocks - Copy.jpg continued next post....
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One of the original Australian CMP hunters. |
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#11
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Quote:
What about that first panel on the AWM set? Quote:
S.A.A. (E) 2K.509. colour sample booklet.jpg Awesome!! Can you post pics showing colour names? Most of us have never seen these Australian Standard Colours. BTW did you happen to catch the ABC doco a few months back on the history of camouflage? Dakin's group was featured. It's still on my recorder if you missed it. Cheers, Tony
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One of the original Australian CMP hunters. |
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#12
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Some more from my research
I have managed to borrow a paint spectrograph for a couple of weeks and have now inspectd and measured the sample plates held by the AWM. I have also read and copied a good deal of Frank Hinders personal papers. I cant post images right now but will later. The results are . The standards plates held by the AWM have faded to the extent they are not useful being at least four shades lighter and a Good deal of damage and scuffing of their surface. Sufficient to establish that the gloss is les then 1% This makes the Berger samples in the national archive the most reialble source given it has been well protected and rarely exposed to light. The Canberra plates were not devised by Hinder as noted on their details of the artifact. They were in fact devised by a paint technologist from Berger paints in Melbourne in 1940 loosely based on the British standard colors adapted to Australian standards and availability of non led pigments. I have managed to find some of the base pigments and proportions for some colours . The AWM has , using the Munsel system and the Australian Standards book ( which they do not poses a copy of so they used a borrowed copy) .have had two sets of plated made. They are very very close to those plates I have had access to and I regard them as close enough. Their KG3 colour is the same as the Protek / Bob Mosely colour . There is a disparity on the KGJ and Light Stone depending if they acquired the artifact pre restored or they did the job themselves. Their KGJ is spot on however the dingo is not accurate. The North African Desert Yellow is all over the shop with the Marmon Herington , the Long 25pdr and other artifacts being quite different colours. This is puzzling as they have a captured German AA Gun painted German Tan and over painted with the UK "Desert Yellow " ( light stone ) The original artifact is a good deal more yellow than either the Marmon Herington or the 25Pdr I also viewed the 2 pdr which has been on display for many many years. The paint is original and as used in Malaya. It establishes the pre war Deep Bronze Green as used in Australia up until about mid 1940 . It is quite different to the Deep Bronze Green used after the war and somewhat different to Mike Starmers sample. All in all a very interesting visit |
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#13
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Couple of Photos re last post
Right is a photo of my I phone 5 next to a plate from the series to give an idea of the size. They are steel and quite heavy...also of interest is the damage to the surface due to rough handling over the years. The AWM search the collection facility on the web indicates they have two sets. A through search of their holdings has only found this single set. Two possibilities. One has gone missing, or it was incorrectly cataloged in the first place. Left photo from left to right Original plate from Berger held by AWM paint sample from original Can applied to plate 2016 and finally Florite reproduction using modern available pigment ...Colour KGJ ..of course
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#14
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This one more accurately shows the difference between the Original KGJ from NOS 1942 unopened tin panel created 2016 and the standard plate created by Berger held by the AWM
I think that fairly comprehensibly shows the uselessness of the AWM plate-set for the purposes of a Standards reference. I note in passing the photograph of the plates in the online search of the AWM collection shows the set in much better condition than they appear to be now. Tony's comment re the plates being the authoritative standard noted however it is now apparent the only standard more accurate than the Melbourne Berger samples or a well stored copy of the Australian Standard is cans of original unopened paint stock. The standards in my publication will be based on the Australian archives chips the Australian standards books I have access to and the cans of original paint I have been so kindly loaned. The Canberra plates are the only known surviving set of original standards plates. Last edited by Mrs Vampire; 02-06-16 at 10:53. |
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